By Andrea Angelini, ICB Editor and choral conductor
In an age in which one can keep in touch with so many people in every country of the world, at every moment of the day, what does this new publication represent? It is…Read More →
Renaissance Music and the Sound of Heaven
By Steven Plank, choral conductor and teacher
When the 13th century Italian nun, Umiltà of Faenza, wrote that “since they [the ang…Read More →
Different Timbres for the Same Part
By Andrea Angelini, choir director and Editor of ICB
The falsetto technique played a vital part in early polyphonic music, having appeared long bef…Read More →
by Yu-Chung John Ku, conductor and teacher
Taiwan, with a population of 23 million and a total land area of only 36,000 square kilometres, is a small island that is narrow at both ends. It lies off the south-eastern coa…Read More →
Taichung (Taiwan), 14-18 July 2011
By Andrea Angelini, ICB Editor and Choral Conductor
“The Federation for Choral Music in Singapore and ACE 99 are proud to present the ‘Orientale Con…Read More →
Theodora Pavlovitch,
Professor of Choral Conducting at the National Academy of Music Sofia, Bulgaria
Theodora Pavlovitch (TP): How would you describe your compositional style?Read More →
by Rita Fucci-Amato, conductor and postdoctoral researcher, University of São Paulo (USP), Brazil
Choirs can be understood as organizations, because they have people, material resources and a management func…Read More →
The Recomposition of Renaissance Polyphony
By Graham Lack, composer and Consultant Editor ICB
A welcome trend in the performance of Renaissance polyphony in our own times is surely the manner i…Read More →
By Koua Pascal, specialist in African hymns, professor of choral conducting and vocal music, President of A Cœur Joie Ivory Coast, and President of the Ivory Coast Choral Music Federation
The young choral…Read More →
